The Shadow King

April 1, 2019

Ethiopian-born Mengiste (Beneath the Lion's Gaze, among the Guardian's Ten Best Contemporary African Books) here revisits the land of her birth in the 1930s. With Mussolini preparing to invade, Emperor Haile Selassie heads into exile, and orphaned servant Hirut helps disguise a peasant as the emperor to bring people hope. Soon Hirut becomes his guard, as Mengiste shows us the brutal reality of ordinary people fighting a better-armed foe.

Copyright 2019 Library Journal, LLC Used with permission.

July 15, 2019
An action-filled historical novel by Ethiopian American writer Mengiste (Beneath the Lion's Gaze, 2010). The Italians who invaded Ethiopia in 1935 under the orders of the man whom the conquered people insist on calling, in quiet resistance, Mussoloni came aching to avenge a loss they had suffered 40 years earlier. They might have remembered how fiercely the Ethiopians fought. Certainly the protagonist of Mengiste's story, a young woman named Hirut, does. In a brief prologue, we find her returning to the capital, where she has not been for decades, in 1974, in order to find an audience with the emperor, Haile Selassie, who is just about to be overthrown. She has a mysterious box, inside of which, Mengiste memorably writes, "are the many dead that insist on resurrection." The box comes from the war nearly 40 years earlier, and it is an artifact full of meaning. Hirut was nothing if not resourceful back then: A servant in a wealthy household, she becomes a field nurse, but as the war deepens, she takes up arms and becomes a fighter herself, "the brave guard of the Shadow King"--the Shadow King being a villager who bore a reasonable enough resemblance to the emperor, who has gone into hiding, to be dressed like him, taught his mannerisms, and sent out in public in order to rally the dispirited Ethiopian people. "There are oaths that hold this world together," Mengiste writes, "promises that cannot be left undone or unfulfilled." Such is the oath that the emperor broke by fleeing the fight. Mengiste is a master of characterization, and her characters reveal just who they are by their actions; always of interest to watch is the Italian colonel Carlo Fucelli, who is determined to win glory for himself, and a soldato named Ettore Navarra, who has learned Amharic and wants nothing more than to live a quiet life, preferably with Hirut by his side. Hirut herself is well rounded and thoroughly fascinating--and not a person to be crossed. A memorable portrait of a people at war--a war that has long demanded recounting from an Ethiopian point of view.

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Starred review from July 29, 2019
Mengiste (Beneath the Lion’s Gaze) again brings heart and authenticity to a slice of Ethiopian history, this time focusing on the Italian invasion of her birth country in 1935. While Hirut, a servant girl, and her trajectory to becoming a fierce soldier defending her country are the nexus of the story, the author elucidates the landscape of war by focusing on individuals—offering the viewpoints (among others) of Carlo Fucelli, a sadistic colonel in Mussolini’s army; Ettore Navarra, a Jewish Venetian photographer/soldier tasked with documenting war atrocities; and Haile Selassie, the emperor bearing the weight of his country’s devastation at the hand of the Italians. In Hirut, Mengiste depicts both a servant girl’s low status and the ferocity of her spirit—inspired by the author’s great-grandmother who sued her father for his gun so she could enlist in the Ethiopian army—which allows her to survive betrayal by the married couple she serves and her eventual imprisonment by Fucelli, captured with horrifying detail by Navarra’s camera. Mengiste breaks new ground in this evocative, mesmerizing account of the role of women during wartime—not just as caregivers, but as bold warriors defending their country.

Starred review from August 1, 2019
Mengiste's indelible first novel, Beneath the Lion's Gate (2010), put Ethiopian historical fiction on countless best-of, must-read, and award lists. Her monumental new novel draws inspiration from her great-grandmother, who as the eldest and in Mulan-style answered Emperor Haile Selassie's demand for first sons to fight against Fascist Italy despite her father's objections, insisting that her brothers were too young. In her author's note, Mengiste explains that her brave predecessor represents one of the many gaps in European and African history," namely, "Ethiopian women who fought alongside men." In1974 in the novel, just before Selassie is dethroned, Hirut arrives in Addis Ababa bearing a box filled with the many dead that insist on resurrection. Almost four decades earlier, in 1935, Hirut was an orphaned servant who followed her master, Kidane, and his wife, Aster, into battle against Mussolini's invading troops. The women are initially relegated to being caretakers but prove themselves to be fierce as warriors. Hirut eventually plays servant to the titular Shadow King, a stand-in for the secluded emperor, who remains safe in England while his country bleeds. Mengiste's extraordinary characters?shrewd Kidane, militant Aster, the enigmatic cook, narcissistic Italian commander Fucelli, conflicted photographer Ettore, elusive prostitute Fifi, even haunted Selassie?epitomize the impossibly intricate ties between humanity and monstrosity, and the unthinkable, immeasurable cost of survival.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

Starred review from August 1, 2019

As you likely know, Mussolini's Italy invaded Ethiopia in the 1930s during the buildup to World War II after a late 19th-century invasion resulted in Italy's humiliating defeat. Much of the Ethiopian population rose in arms to fight this second invasion; Emperor Haile Selassie decreed that women were to accompany the fighting men, originally as helpmeets, but the women evolved into a fighting force. Mengiste's fictionalized history follows a young orphan woman, Hirut, a servant of Ethiopian fighter Kidane and his warrior wife, Aster. Hirut becomes a skilled soldier and is the brains behind a clever ruse that rallies the Ethiopian troops. When she is briefly captured, a tenuous alliance forms between her and an Italian soldier, Navarra, a regimental photographer under orders to document his sadistic Italian commander's atrocities. Navarra, who is Jewish, grows increasingly horrified by his own complicity with the fascists. VERDICT Mengiste's (Beneath the Lion's Gaze) tale of Ethiopian women warriors is fascinating and tension-filled. Her prose style is to show rather than tell, with short, cinematic chapters dense with imagery and sensory detail. Descriptions of the fog of battle are exquisite and horrific, all the more remarkable for being told from a woman's point of view. Highly recommended. [See Prepub Alert, 3/4/19.]--Reba Leiding, emeritus, James Madison Univ. Lib., Harrisonburg, VA

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