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After the Romanovs

Russian Exiles in Paris from the Belle Époque Through Revolution and War

Audiobook
1 of 2 copies available
1 of 2 copies available

From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light.
Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev's Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland, sometimes leaving with only the clothes on their backs.
Arriving in Paris, former princes could be seen driving taxicabs, while their wives who could sew worked for the fashion houses, their unique Russian style serving as inspiration for designers like Coco Chanel. Talented intellectuals, artists, poets, philosophers, and writers struggled in exile, eking out a living at menial jobs. Some, like Bunin, Chagall and Stravinsky, encountered great success in the same Paris that welcomed Americans like Fitzgerald and Hemingway. Political activists sought to overthrow the Bolshevik regime from afar, while double agents from both sides plotted espionage and assassination. Others became trapped in a cycle of poverty and their all-consuming homesickness for Russia, the homeland they had been forced to abandon.
This is their story.
A Macmillan Audio production from St. Martin's Press.

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    • Publisher's Weekly

      December 13, 2021
      Historian Rappaport (The Race to Save the Romanovs) delivers a glossy portrait of Russian artists and nobles who flocked to Paris in the late 19th and early 20th centuries. Drawing on French tabloids and countesses’ diaries, Rappaport details scandalous affairs, sumptuous parties, extravagant shopping trips, and “rollicking night out” at Maxim’s restaurant, where a Russian grand duke once presented his mistress, a high-class prostitute, with a pearl necklace worth 20 million francs served on a plate of oysters. She also describes how Russian performers, composers, and artists shocked and “entranced” Parisian audiences with their avant-garde ballets, and how Russian writers and poets overwhelmed the cafes of Montparnasse, causing local police to worry that revolution might spread to France. After the Bolsheviks seized power in 1917, Russian noblewomen found work as designers, seamstresses, and models in the fashion industry. (“The couture houses loved the willowy, fine-boned Russian women,” Rappaport notes.) Meanwhile, Russian men found jobs as taxi drivers or factory workers and crowded Paris’s Russian cabarets at night. Full of colorful anecdotes and sharp character sketches, this breezy account of life in exile entertains.

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